Weer iets om voor te sparen 
(volgens mij is de 2 voice uitvoering ongeveer 2.700 dollar)
Groter plaatje hier.
Preliminary Information
The new Omega C O D E.
Shipping August 2006
Featuring SEM and Diode Filters.
Available in 2 voice, 4 voice, or 8 voice configurations.
New on the C O D E:
Diode based filters giving you that classic nasal sound while the Studio Electronics SEM filters give you that classic 80's poly sound.
Also new is the Filter Control section, which allows you to sweep through all the filter types in real time with complete MIDI control. The switches in the Filter Control section give you on/off control and/or momentary control of assignable parameters. Filter Control will give you full control of your audio source.
The 2 voice version is configured for dual input stereo filterbank.
The 4 voice version is configured for 4 input or quad filterbank.
The 8 voice version is an 8 channel filterbank.
Also available are voice expansions and filter expansions.
Bank 3 "THERIOT" included ($139 sold separatly)
Features
General Specifications
Voices: 2, 4, or 8
Multitimbrality: 2 voice = 2 part, 4 voices = 4 part, 8 voices = 8 part ; Parameters: patch, number of voices, mono or poly.
Audio outputs: one stereo per voice. One main stereo and main mono output.
Interface: 32 knobs, 1 rotary encoder, 35 tactile switches, 24 LEDS.
Display: 16 x 2 back lit liquid crystal Ocean Blue Display.
Memory: 256 sound patches,128 multi patches in RAM.
Weight: 20 lbs.
Dimensions: 4 rack spaces, 15 inches deep.
Power: 90 - 250 volts AC auto switching.
Voice Architecture
Two voltage controlled discrete analog oscillators and one sub wave of Oscillator 1
Waveforms: triangle, sawtooth and variable width square. All waveforms output simultaneously. Syncing of Osc 2 to Osc 1.
Two voltage controlled discrete analog filters including the new Diode Filter
24db (Diode Filter), 12 db (classic Oberheim SEM). 12db filter has low pass, bandpass, high pass and band reject modes. Each voice has the capability of having four different filters available for use. Additional filters (up to 2 per voice) can be added as desired in any number. Filters do not operate in series or parallel.
Three low frequency oscillators (LFO3 fixed to voice panning)
Waveforms: triangle, sawtooth, reverse sawtooth, square, noise, random. Up to three destinations and depths each for LFOs 1 & 2 with range, delay, key trigger, phase, mode (mono or poly), quantize, midi sync.
Three multiple stage envelope generators
Attack, decay, sustain and release with inverting and multiple triggering. Envelopes 1 & 2 have additional delay, decay2, and breakpoint parameters. Envelope 1 fixed to filter frequency. Envelope 2 fixed to amplifier level. Envelope 3 is assignable with up to three destinations and depths. ALSO NEW Envelope 3 knobs also can control the inputs of the unit.
Glide
Linear or exponential. Parameters: time, mode (auto, legato, glissando), autoglide interval, dynamics, destination.
Unison mode
One, two, four, six, or eight voices. Depending on Voice configuration.
Additional Features
Oscillator 2 audio frequency modulation. Destinations: Osc 1 frequency, Osc 1 pulse width, filter frequency. White noise generator. Auto triggering external input processor on each voice. Parameters: input level, trigger level, mix level, window.
Modulation Destinations
LFOs1 & 2 and envelope 3: VCO 1 & 2 frequency, pulse width, and mix level, VCF frequency and resonance, noise level, Xmod amount, LFOs 1 & 2 rate and depth, VCA level, external mix level.
MIDI Specifications
In out and thru. Receives: program change, bank select, glide on/off, glide time, volume, SYSEX. Controllers: dynamics, modwheel, bender, pressure destination and amount (x2). Controller 1 assignment: dyn, mod, pressure, bend, tracking, continuous cont #2 (x2), controller 1 amount (x2). Controller 2 assignment - same as controller 1 (x2), controller 2 amount (x2). Dynamics, tracking, and bender have positive and negative modulation. Fixed continuous controller assignments for all key functions.
MIDI Controllers
Dynamics, modwheel, bender, pressure, tracking, breath controller: all LFO1&2 and envelope 3 destinations, including envelopes 1, 2, and 3 attack, decay, sustain, release, amount
(volgens mij is de 2 voice uitvoering ongeveer 2.700 dollar)Groter plaatje hier.
Preliminary Information
The new Omega C O D E.
Shipping August 2006
Featuring SEM and Diode Filters.
Available in 2 voice, 4 voice, or 8 voice configurations.
New on the C O D E:
Diode based filters giving you that classic nasal sound while the Studio Electronics SEM filters give you that classic 80's poly sound.
Also new is the Filter Control section, which allows you to sweep through all the filter types in real time with complete MIDI control. The switches in the Filter Control section give you on/off control and/or momentary control of assignable parameters. Filter Control will give you full control of your audio source.
The 2 voice version is configured for dual input stereo filterbank.
The 4 voice version is configured for 4 input or quad filterbank.
The 8 voice version is an 8 channel filterbank.
Also available are voice expansions and filter expansions.
Bank 3 "THERIOT" included ($139 sold separatly)
Features
General Specifications
Voices: 2, 4, or 8
Multitimbrality: 2 voice = 2 part, 4 voices = 4 part, 8 voices = 8 part ; Parameters: patch, number of voices, mono or poly.
Audio outputs: one stereo per voice. One main stereo and main mono output.
Interface: 32 knobs, 1 rotary encoder, 35 tactile switches, 24 LEDS.
Display: 16 x 2 back lit liquid crystal Ocean Blue Display.
Memory: 256 sound patches,128 multi patches in RAM.
Weight: 20 lbs.
Dimensions: 4 rack spaces, 15 inches deep.
Power: 90 - 250 volts AC auto switching.
Voice Architecture
Two voltage controlled discrete analog oscillators and one sub wave of Oscillator 1
Waveforms: triangle, sawtooth and variable width square. All waveforms output simultaneously. Syncing of Osc 2 to Osc 1.
Two voltage controlled discrete analog filters including the new Diode Filter
24db (Diode Filter), 12 db (classic Oberheim SEM). 12db filter has low pass, bandpass, high pass and band reject modes. Each voice has the capability of having four different filters available for use. Additional filters (up to 2 per voice) can be added as desired in any number. Filters do not operate in series or parallel.
Three low frequency oscillators (LFO3 fixed to voice panning)
Waveforms: triangle, sawtooth, reverse sawtooth, square, noise, random. Up to three destinations and depths each for LFOs 1 & 2 with range, delay, key trigger, phase, mode (mono or poly), quantize, midi sync.
Three multiple stage envelope generators
Attack, decay, sustain and release with inverting and multiple triggering. Envelopes 1 & 2 have additional delay, decay2, and breakpoint parameters. Envelope 1 fixed to filter frequency. Envelope 2 fixed to amplifier level. Envelope 3 is assignable with up to three destinations and depths. ALSO NEW Envelope 3 knobs also can control the inputs of the unit.
Glide
Linear or exponential. Parameters: time, mode (auto, legato, glissando), autoglide interval, dynamics, destination.
Unison mode
One, two, four, six, or eight voices. Depending on Voice configuration.
Additional Features
Oscillator 2 audio frequency modulation. Destinations: Osc 1 frequency, Osc 1 pulse width, filter frequency. White noise generator. Auto triggering external input processor on each voice. Parameters: input level, trigger level, mix level, window.
Modulation Destinations
LFOs1 & 2 and envelope 3: VCO 1 & 2 frequency, pulse width, and mix level, VCF frequency and resonance, noise level, Xmod amount, LFOs 1 & 2 rate and depth, VCA level, external mix level.
MIDI Specifications
In out and thru. Receives: program change, bank select, glide on/off, glide time, volume, SYSEX. Controllers: dynamics, modwheel, bender, pressure destination and amount (x2). Controller 1 assignment: dyn, mod, pressure, bend, tracking, continuous cont #2 (x2), controller 1 amount (x2). Controller 2 assignment - same as controller 1 (x2), controller 2 amount (x2). Dynamics, tracking, and bender have positive and negative modulation. Fixed continuous controller assignments for all key functions.
MIDI Controllers
Dynamics, modwheel, bender, pressure, tracking, breath controller: all LFO1&2 and envelope 3 destinations, including envelopes 1, 2, and 3 attack, decay, sustain, release, amount
