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"Throughout the early '70's, Oberheim Electronics [founded by Tom Oberheim] was a highly reputed manufacturer of electronic effects devices....In addition to designing and building effects boxes, Oberheim electronics was an ARP dealer for about a year and a half. Many of their early ARP customers asked about a sequencer for their synth, so Oberheim designed their DS-2, one of the first digital sequencers."
"As soon as the DS-2 was on the market, Tom Oberheim noticed that many of his customers wanted to set up a sequence, then play their synth from the keyboard at the same time that the sequence was playing back. In addition, many ARP Odyssey and Minimoog owners were looking for a way to fatten up their sound. So Tom drew up plans for a fairly simple analog voice module that could serve" both needs, the SEM (Synthesizer Expander Module). "The development of the entire Oberheim synthesizer line, right up to the present time, has been a continuous evolution that began with the SEM modules."
Origineel geplaatst door Hanz
De vraag lijkt me helder!
Wolfgang Palm
Ontwerper van de PPG Wave en Realizer / Waldorf Microwave, Wave en Pulse / Hartmann Neuron en nog vele andere legendes. Ik zal nog proberen het lijstje synths aan te vullen.
Verder nog:
-Tom Oberheim: Oberheim (Matrix synths, OB synths) Marion Systems (MSR synths)
-Dave Smith: Sequential (Prophet), Korg / Yamaha (SY-22/35, WaveStation), Seer Systems (Reality, de 1ste softsynth), AdrenaLinn, DSI (Evolver). "The Father of MIDI".
The Dave Smith Ego Museum
-David Cockerall: Elektro-Harmonix, Akai (S612, S900, S1000)
-Chris Huggett: EDP (Wasp, Gnat etc.), Oxford (OSCar)
-Roger Linn: Linn (LinnDrum), AdrenaLinn
Kortom, nog veel meer plaatjes op komst, later vandaag...
In 1988, Sequential Circuits folded and, in a cruel twist of fate (FM synths were in no small way responsible for the demise of many synth companies) Yamaha bought the company, re-establishing Smith and his team as an R&D division called DSD Inc. Unfortunately, despite successful progeny in the shape of the SY22 and SY35 vector synthesis keyboards and modules, the marriage was not a happy one so, less than a year later, Yamaha closed the division.
Apparently, Yamaha told Katoh in advance that they were to close DSD and, never one to miss an opportunity, Katoh approached Smith and his team and persuaded them to work for Korg. In May 1989, he established a new company in Silicon Valley. Smith was appointed Vice President and, with a dozen or so staff, Korg's R&D started work on yet another variation of vector synthesis...
Origineel geplaatst door smackos
John Chowing, min of meer de geestelijk vader van de Yamaha DX7.
De turbulente geschiedenis van de DX7 is te vinden op: http://www.geocities.com/SunsetStrip/Lounge/2133/dx7_tx7.html
Origineel geplaatst door Hanz
Wolfgang Palm
[/B]
Origineel geplaatst door Boemtsjak
Weet iemand toevallig waar Herr Palm (...) zich tegenwoordig mee bezighoudt?
PLEX restructuring Synthesizer by Steinberg and Wolfgang Palm as yet unheard of.
Together with synthesizer sound pioneer Wolfgang Palm, Steinberg has developed a new and fascinatingly novel synthesizer. PLEX is based on a new synthesizing technique that gives musicians almost limitless possibilities in varying and creating unique new sounds.
Plex is a brand new software synthesizer by synth legend Wolfgang Palm and was developed in cooperation with Steinberg. This extraordinary new VST instrument features an intelligent synthesizing process which helps open entirely new creative worlds. Plex allows the combination of, for example, the sound of a sitar with that of a trombone; this can then be combined with the envelope of a gong sound. Creating completely new sounds is also no problem with Plex. Its utterly modern and clear user interface helps work intuitively, inviting the user to experiment creatively.
How does PLEX work?
A new audio analysis technique splits the original sound into four different components: the lower and higher spectra, filter characteristics and amplitude envelope. Each component can then be replaced and combined with components from other original sounds. The information contained in each of the components is strictly separated from that contained in other components. This means that, for example, the lower spectrum, or "Base" component contains neither amplitude envelope information nor filter characteristics. This lets the user replace any component as they wish and still produce a "natural"-sounding result.
Main features:
- New synthesis approach by "PPG legend" Wolfgang Palm
- Independent manipulation of four integrated sound components: upper and lower frequency spectra, filter characteristics and amplitude envelope
- Switching between 33 sound sources in real-time
- 97 specially analyzed sound sources - acoustic, synthetic and filter characteristics included (with 300 presets)
- 3 ADSRs, Global Pitch LFO as well as 3 LFOs that can be synchronized (besides presets such as sine, square, sawtooth and random, Plex also allows the user to create 16-step sequences)
- Modulation section with stereo delay and flanger effects
- Up to 64 voices
- All parameters are MIDI controllable