L3N
ook wel EL L3NDELING
NEW AND IMPROVED EFFECTS PEDALS FOR MUSICIANS
NEW AND IMPROVED EFFECTS PEDALS FOR MUSICIANS
Time distortion: Makes guitar solos seem longer.
Blame shifter: Shifts the pitch of mistakes down one octave so that the audience thinks it was the bass player.
Depander: Filters out pop cover songs.
Active Pickups: Amplifies "signals" sent to attractive audience members.
Fluff Box: Filters out excessive musical substance.
Phaser: Phases out un-wanted band members without them knowing.
Low capacatance device: Makes low audience numbers appear like a full house.
Noise eliminator: Sprays Super Glue over the drummers arms.
Noise gate: Automatically shuts the mics off over the drum kit during a guitar solo.
Rehash: Stores and plays back your favorite riffs constantly and forever.
Feedback Eliminator: Drowns out "constructive criticism."
Band Pass Filter: Eliminates sexual advances between band members.
Depressor: Changes any chord to E minor.
Paralytic Equalizer: Makes you as good as other guitarists by injecting them with a bottle of Jack Daniels.
Re-mixer: Re-arranges perfectly good songs so they sound different but are exactly the same.
Pitch shifter: Makes the rhythm player's request for more lead work sound like he can actually play.
TS-1 (Talent Stretcher): All the above effects in one convenient pedal-pack.
Cry-Baby Wah-Wah: Makes the guitar truly sound like its master.
Choruckus: Thickens sounds by adding successive layers of hiss and noise.
Ring Modulator: Subtly converts wedding-rings into pinky-rings when in presence of sexy audience members.
Trouble-O: Changes the relative volume of your instrument so that you can't hear it clearly anymore.
De-esser: Gives vintage down-trodden slave effect.
Bottle-neck slide: Gives one the ability to play instrument while drinking beer, emphasizing "pro" capabilities.
Echo: Takes mundane lyrics and turns them into a Greek tragedy.
Nose-gate: Safety-device to keep fans from getting too close to your stage effects.
Flannel-ger: Makes instruments sound like 1992-1994.
Hammy-bar: Used to help guitarists make difficult transition from success to superstardom.
Slap-back delay: Adds/subtracts time needed to yield a complimentary phase.
Reverboration: Ominizes weak vocals.
Pop-garde: New effect that turns simple little ditties into critically acclaimed hymns-for-a-generation.
Dilettante-Delay: Tricks audience from seeing though inadequate musicianship by adding sheen to musician's sound.
Grand Funk Equalizer: Makes everyone sound like an American Band.
NEW! Bass Blame Shifter: Removes sustain from all your clams so that the audience thinks it was the drummer.
NEW! EgoPlex: Makes you sound louder in your monitor mix.
NEW! CryBaby: Makes rhythm guitarists happy they don't get to solo.
NEW AND IMPROVED EFFECTS PEDALS FOR MUSICIANS
Time distortion: Makes guitar solos seem longer.
Blame shifter: Shifts the pitch of mistakes down one octave so that the audience thinks it was the bass player.
Depander: Filters out pop cover songs.
Active Pickups: Amplifies "signals" sent to attractive audience members.
Fluff Box: Filters out excessive musical substance.
Phaser: Phases out un-wanted band members without them knowing.
Low capacatance device: Makes low audience numbers appear like a full house.
Noise eliminator: Sprays Super Glue over the drummers arms.
Noise gate: Automatically shuts the mics off over the drum kit during a guitar solo.
Rehash: Stores and plays back your favorite riffs constantly and forever.
Feedback Eliminator: Drowns out "constructive criticism."
Band Pass Filter: Eliminates sexual advances between band members.
Depressor: Changes any chord to E minor.
Paralytic Equalizer: Makes you as good as other guitarists by injecting them with a bottle of Jack Daniels.
Re-mixer: Re-arranges perfectly good songs so they sound different but are exactly the same.
Pitch shifter: Makes the rhythm player's request for more lead work sound like he can actually play.
TS-1 (Talent Stretcher): All the above effects in one convenient pedal-pack.
Cry-Baby Wah-Wah: Makes the guitar truly sound like its master.
Choruckus: Thickens sounds by adding successive layers of hiss and noise.
Ring Modulator: Subtly converts wedding-rings into pinky-rings when in presence of sexy audience members.
Trouble-O: Changes the relative volume of your instrument so that you can't hear it clearly anymore.
De-esser: Gives vintage down-trodden slave effect.
Bottle-neck slide: Gives one the ability to play instrument while drinking beer, emphasizing "pro" capabilities.
Echo: Takes mundane lyrics and turns them into a Greek tragedy.
Nose-gate: Safety-device to keep fans from getting too close to your stage effects.
Flannel-ger: Makes instruments sound like 1992-1994.
Hammy-bar: Used to help guitarists make difficult transition from success to superstardom.
Slap-back delay: Adds/subtracts time needed to yield a complimentary phase.
Reverboration: Ominizes weak vocals.
Pop-garde: New effect that turns simple little ditties into critically acclaimed hymns-for-a-generation.
Dilettante-Delay: Tricks audience from seeing though inadequate musicianship by adding sheen to musician's sound.
Grand Funk Equalizer: Makes everyone sound like an American Band.
NEW! Bass Blame Shifter: Removes sustain from all your clams so that the audience thinks it was the drummer.
NEW! EgoPlex: Makes you sound louder in your monitor mix.
NEW! CryBaby: Makes rhythm guitarists happy they don't get to solo.
nou ook alleen maar voor de hoes eigenlijk ...
