ProtoHuman
Gepokt en gemazeld
Klaus Schulze, met die geweldige studio van hem..... 
Krautrock thread (daar gaan we dan !)
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ProtoHuman
Gepokt en gemazeld
kitlist (let vooral es op de hoeveelheid Quasimidi....):
Klaus Schulze's studio inventory in May 2002
Keyboards and Synthesizers
· Access Virus B
· EMS Synthi A (2x)
· EMU K 4
· Memory Moog (Midi-Lintronics)
· Minimoog (Midi-Lintronics) (2x)
· Novation BassStation
· Quasimidi Cyber 6 (2x)
· Roland JD 800
Recording Studio
· KS Digital Speakers (5.1 surround)
· Event PS 6 Speakers (nearfield)
· Soundcraft Mixer "GHOST" 32 channels (Midi automation)
· Mackie 32 Channel Rackmixer
· Akai Digital Patchbay
· Sony DAT 2700 A
· Tascam DAT 30
· Tascam DAT 30 MK II
· Various Sennheiser micros
Computers:
· Apple Macintosh G4, 733 MHz and G4, 933 MHz
· Apple Macintosh Titanium G4, 667 MHz
· Apple iBook G3 (for concerts)
· Atari STACY
· Apple Display (3x)
· NEC Projector, 2100 lumen, including a silver screen, 200x300 cm
Software
· Emagic Logic Platinum 5.0
· Steinberg Cubase 5.1
· TC Sparks
· Virtual Synths (Steinberg and Native Instruments)
· Various plug-ins
Rack Synthesizers
· Access Virus A (5x)
· mAkai S 1100 (32 Mbyte)
· E-mu Vintage
· E-mu E-64 (2x)
· Korg M1r
· Korg M1ex
· Midi Moog (Studio Electronics) (2x)
· Moog SE 1 (Studio Electronics) (3x)
· Moog Vocoder
· Prophet 2002
· Quasimidi Polymorph (7x)
· Quasimidi Quasar (TRE und Hardcore) (5x)
· Quasimidi Rave-O-Lution (7x)
· Roland JV 880 (Classic Board) (2x)
· Roland JD 990
· Roland SC 55
· Roland U 110
Effects
· Arsonic Sigma 5.2 (2x)
· Roland RSP 550 (2x)
· Roland SRV 2000 (3x)
· Roland SRV 3030
· SPL Vitalizer (2x)
· SPL Vitalizer MK 2
· SPL SX 2
· SPL Optimizer (2x)
· SPL EQ Magix
· SPL Pro Mike
· TC Fuzz
· TC Stereo Chorus
· TC M-ONE
Strings and Percussion
· Fender Stratocaster
· Höfner electro
· Hohner acoustic
· Hohner Revenge
· Hohner ST Savage
· Hohner L59
· Hohner L60
· Hohner Fretless bass and 5-string bass
· Martin 12-string
· Paiste gongs and cymbals
Klaus Schulze explains the new Big Wall he has been using on stage since 1996
"It's from Quasimidi, especially made for me. It's shaped like the "Big Moog". Essentially, it's seven independent Polymorphs, which is a kind of a rebuild of the old Moog sequencer: it also has eight steps in three different rows. For instance I can use one for filtering, one for the envelope and so on, whatever I want. In addition, the new Big Wall includes seven Rave-O-Lution 309 drum computers, each with five MIDI channels, the fifth being the sequencer for synth sounds.
The Rave-O-Lutions are used for rhythm: bass, drums and percussion, whilst the Polymorphs do all the real sequencer work. The whole unit is linked with a rack-mounted "Live Clock" that handles program changes and the MIDI clock to synchronize the whole unit."
Klaus Schulze's studio inventory in May 2002
Keyboards and Synthesizers
· Access Virus B
· EMS Synthi A (2x)
· EMU K 4
· Memory Moog (Midi-Lintronics)
· Minimoog (Midi-Lintronics) (2x)
· Novation BassStation
· Quasimidi Cyber 6 (2x)
· Roland JD 800
Recording Studio
· KS Digital Speakers (5.1 surround)
· Event PS 6 Speakers (nearfield)
· Soundcraft Mixer "GHOST" 32 channels (Midi automation)
· Mackie 32 Channel Rackmixer
· Akai Digital Patchbay
· Sony DAT 2700 A
· Tascam DAT 30
· Tascam DAT 30 MK II
· Various Sennheiser micros
Computers:
· Apple Macintosh G4, 733 MHz and G4, 933 MHz
· Apple Macintosh Titanium G4, 667 MHz
· Apple iBook G3 (for concerts)
· Atari STACY
· Apple Display (3x)
· NEC Projector, 2100 lumen, including a silver screen, 200x300 cm
Software
· Emagic Logic Platinum 5.0
· Steinberg Cubase 5.1
· TC Sparks
· Virtual Synths (Steinberg and Native Instruments)
· Various plug-ins
Rack Synthesizers
· Access Virus A (5x)
· mAkai S 1100 (32 Mbyte)
· E-mu Vintage
· E-mu E-64 (2x)
· Korg M1r
· Korg M1ex
· Midi Moog (Studio Electronics) (2x)
· Moog SE 1 (Studio Electronics) (3x)
· Moog Vocoder
· Prophet 2002
· Quasimidi Polymorph (7x)
· Quasimidi Quasar (TRE und Hardcore) (5x)
· Quasimidi Rave-O-Lution (7x)
· Roland JV 880 (Classic Board) (2x)
· Roland JD 990
· Roland SC 55
· Roland U 110
Effects
· Arsonic Sigma 5.2 (2x)
· Roland RSP 550 (2x)
· Roland SRV 2000 (3x)
· Roland SRV 3030
· SPL Vitalizer (2x)
· SPL Vitalizer MK 2
· SPL SX 2
· SPL Optimizer (2x)
· SPL EQ Magix
· SPL Pro Mike
· TC Fuzz
· TC Stereo Chorus
· TC M-ONE
Strings and Percussion
· Fender Stratocaster
· Höfner electro
· Hohner acoustic
· Hohner Revenge
· Hohner ST Savage
· Hohner L59
· Hohner L60
· Hohner Fretless bass and 5-string bass
· Martin 12-string
· Paiste gongs and cymbals
Klaus Schulze explains the new Big Wall he has been using on stage since 1996
"It's from Quasimidi, especially made for me. It's shaped like the "Big Moog". Essentially, it's seven independent Polymorphs, which is a kind of a rebuild of the old Moog sequencer: it also has eight steps in three different rows. For instance I can use one for filtering, one for the envelope and so on, whatever I want. In addition, the new Big Wall includes seven Rave-O-Lution 309 drum computers, each with five MIDI channels, the fifth being the sequencer for synth sounds.
The Rave-O-Lutions are used for rhythm: bass, drums and percussion, whilst the Polymorphs do all the real sequencer work. The whole unit is linked with a rack-mounted "Live Clock" that handles program changes and the MIDI clock to synchronize the whole unit."
ProtoHuman
Gepokt en gemazeld
en een kleine kitlist chronologie:
The periods
Drawing the line between the various instruments used in course of time can only be done approximately. Please, also check the record covers. In general there are the following basic periods:
Until 1972: Acoustic and Electric (Experimental and searchin' time)
1973-1979: Analogue Synthesizers (The Golden Age of Klaus' Electronic Music)
1979-1986: Digital Synths and Computers
1986-1990: Midi, Computer, Sampling
Since 1990: Even more Sampling (A new High Time for Klaus Schulze)
Since Jan. 1996: Rebuilding his studio completely, partly with new equipment
KS' tools over the course of time
Sixties Guitar, electric guitar, electric bass and drumset
1969/70 Drums, and at times strange organ sounds (with TD)
1970/71 Drums, odd electric guitar (Höfner Solid Body '164'), tape echo: Dynacord Echocord Mini (with A.R.T.)
1972 Teisco organ, Solina string keyboard, guitar, voice, tapes, tape echo, 4-track Telefunken home recorder, cheap 3-channel Telefunken Echo Mixer, Revox, broken Fender guitar amplifier.
1973 Farfisa Duo organ, drums, EMS VCS 3, cheap effects, tape echo, second Revox, two little Farfisa mixers.
1974 Farfisa Duo organ, EMS Synthi A, ARP Odyssey, ARP 2600, Farfisa Syntorchester, tape echo, Revox, 10-channel Barth mixer.
1975 As above, plus Crumar Brass-Man, Crumar Multi-Man, Crumar Compact-string synthesizers, Syntanorma sequencer, 8-track tape recorder
1976 As above, plus Moog Synthesizer IIIp & Sequencer Complement B portable (these 4 parts are 'The Big Moog'), Mellotron, two Farfisa Syntorchestras, AKG BX 15 reverb, early PPG
1977/78 As above, plus larger mixer and various other keyboards: Minimoogs, Polymoog, Yamaha CS 80, Korg PS 3300, Korg as well as Sennheiser vocoders, AKG BX 20 reverb, Dynacord DRS 78 reverb and echo, TAM 19 flanger
1979 As above, plus G.D.S. synthesizer computer, PPG, Publison, PCM 1610, 16-track recording.
1983 Computer (G.D.S., PPG, Fairlight), much better effect devices, Oberheim DMX, custom made EEH rhythm-computer, EMT plate reverb.
1986 Midi with master keyboard, expander parts (Roland, Korg, Akai), Computer, Publison Infernal machine, 24-track recording & digital master recording.
1989 Atari 1040 ST, Atari Mega ST 4, Roland: Super JX 10, S 50, D 50, MKS 80, MKS 30, U 110, MPG 80; Akai X 7000, Fairlight, Yamaha TX 81 Z, Akai S 612, Korg DVP 1, Roland SRV 2000, Korg SDD 1200, Ibanez SDR 1000, Eventide Harmonizer, 3x Hohner HS-1/E, 2x Klark EQ, Arsonic-Sigma 5.2, EMS Synthi A, and others...
1990-'95 Plenty of sampling, including from 1993 to '95 plenty of operatic voices.
1996 Total rebuilding of his studio.
The periods
Drawing the line between the various instruments used in course of time can only be done approximately. Please, also check the record covers. In general there are the following basic periods:
Until 1972: Acoustic and Electric (Experimental and searchin' time)
1973-1979: Analogue Synthesizers (The Golden Age of Klaus' Electronic Music)
1979-1986: Digital Synths and Computers
1986-1990: Midi, Computer, Sampling
Since 1990: Even more Sampling (A new High Time for Klaus Schulze)
Since Jan. 1996: Rebuilding his studio completely, partly with new equipment
KS' tools over the course of time
Sixties Guitar, electric guitar, electric bass and drumset
1969/70 Drums, and at times strange organ sounds (with TD)
1970/71 Drums, odd electric guitar (Höfner Solid Body '164'), tape echo: Dynacord Echocord Mini (with A.R.T.)
1972 Teisco organ, Solina string keyboard, guitar, voice, tapes, tape echo, 4-track Telefunken home recorder, cheap 3-channel Telefunken Echo Mixer, Revox, broken Fender guitar amplifier.
1973 Farfisa Duo organ, drums, EMS VCS 3, cheap effects, tape echo, second Revox, two little Farfisa mixers.
1974 Farfisa Duo organ, EMS Synthi A, ARP Odyssey, ARP 2600, Farfisa Syntorchester, tape echo, Revox, 10-channel Barth mixer.
1975 As above, plus Crumar Brass-Man, Crumar Multi-Man, Crumar Compact-string synthesizers, Syntanorma sequencer, 8-track tape recorder
1976 As above, plus Moog Synthesizer IIIp & Sequencer Complement B portable (these 4 parts are 'The Big Moog'), Mellotron, two Farfisa Syntorchestras, AKG BX 15 reverb, early PPG
1977/78 As above, plus larger mixer and various other keyboards: Minimoogs, Polymoog, Yamaha CS 80, Korg PS 3300, Korg as well as Sennheiser vocoders, AKG BX 20 reverb, Dynacord DRS 78 reverb and echo, TAM 19 flanger
1979 As above, plus G.D.S. synthesizer computer, PPG, Publison, PCM 1610, 16-track recording.
1983 Computer (G.D.S., PPG, Fairlight), much better effect devices, Oberheim DMX, custom made EEH rhythm-computer, EMT plate reverb.
1986 Midi with master keyboard, expander parts (Roland, Korg, Akai), Computer, Publison Infernal machine, 24-track recording & digital master recording.
1989 Atari 1040 ST, Atari Mega ST 4, Roland: Super JX 10, S 50, D 50, MKS 80, MKS 30, U 110, MPG 80; Akai X 7000, Fairlight, Yamaha TX 81 Z, Akai S 612, Korg DVP 1, Roland SRV 2000, Korg SDD 1200, Ibanez SDR 1000, Eventide Harmonizer, 3x Hohner HS-1/E, 2x Klark EQ, Arsonic-Sigma 5.2, EMS Synthi A, and others...
1990-'95 Plenty of sampling, including from 1993 to '95 plenty of operatic voices.
1996 Total rebuilding of his studio.
ProtoHuman
Gepokt en gemazeld
dat maakt 't niet minder mooi...Origineel geplaatst door Bahamut
en dat is inmiddels ook al 10 keer voorbijgekomen
Saskija
Het blijft een dure hobby
Kraut Rock refers to the legions of German bands of the early '70s that expanded the sonic possibilities of art and progressive rock. Instead of following in the direction of their British and American counterparts, who were moving toward jazz and classical-based compositions and concept albums, the German bands became more mechanical and electronic. Working with early synthesizers and splicing together seemingly unconnected reels of tape, bands like Faust, Can, and Neu created a droning, pulsating sound that owed more to the avant garde than to rock & roll. Although the bands didn't make much of an impact while they were active in the '70s, their music anticipated much post-punk of the early '80s, particularly industrial rock. Kraut rock also came into vogue in the '90s, when groups like Stereolab and Tortoise began incorporating the hypnotic rhythms and electronic experiments of the German art-rock bands into their own, vaguely avant-garde indie rock.
Bekende Krautrockers:
Amon Düül
Ash Ra Tempel
Can
Cluster
Faust
Manuel Göttsching
Harmonia
Neu!
Popol Vuh
Conrad Schnitzler
Klaus Schulze
Tangerine Dream
Kraftwerk (met name de eerste elpees)
Krautrock is dus vooral van toepassing op een lichting Duitse bands die in de jaren 70 op het randje van avantgardisme zaten, maar de term wordt ook wel gebruikt om zo'n beetje alle Duitse rock uit die tijd aan te duiden.
De link naar synthesizers is bij de meeste van de bovengenoemden wel duidelijk: ze konden er niet genoeg van krijgen!
in eind jaren 60 en de jaren 70 onstonden er allerlei bandjes door alternatievelingen, hippies ed die allemaal diie duitse sound hadden en allemaal muziek maakten die t hield tussen progresieve rock, symfo, psychdelisch, electronisch ed .
Je hoort meteen aan de sound dat ze min of meer toch rond t zelfde kader muziek maken: KRAUTROCK !!!!!!!!!!!
krautrock festival:
http://www.burgherzberg-festival.de/
wordt echt een fantastisch festival waar ook de engelse bands Hawkwind en Mr Quimby's Beard komen !!!!!
hier nog wat oudere linkjes:
http://www.thinkprogressive.de/
http://home.t-online.de/home/320010217994-001/rd-webpics/pic1.jpg
http://www.germanrock.de/zeitung/sonderausgabe_2/burgherzberg_2001/
http://www.burgherzberg-festival.de/
wordt echt een fantastisch festival waar ook de engelse bands Hawkwind en Mr Quimby's Beard komen !!!!!
hier nog wat oudere linkjes:
http://www.thinkprogressive.de/
http://home.t-online.de/home/320010217994-001/rd-webpics/pic1.jpg
http://www.germanrock.de/zeitung/sonderausgabe_2/burgherzberg_2001/
analogmaarten
ploink ploink blieb blieb
ik vind de lp organisation-tone float ook behoorlijk krautrock. deze plaat is eigenlijk de 1e lp van kraftwerk uit 1969.
Krautrock is onstaan in de jaren 60. de naam komt waarschijnlijk van een song van 1 der eerste Amon Duul II lp's
Krautrock is soort hippie muziek / progressieve / electronische stroming in de jaren 60 en 70 gemaakt in Duitsland, daar onstaond dus de Krautrock scene.
Kraftwerk behoren ook tot de krautrock, de eerste 2 lp's zijn dan ook met rockinstrumenten gemaakt en met leden van de groep NEU!
Tangerine Dream zijn ook als psychedelische rockband begonnen en experimenteren veel met rock en zou je ook bij Krautrock kunnen zetten.
Cosmic Jokers was een jam-band met Manual Gottching .
eerste lp van Kraftwerk met Klaus Dinger van NEU!
Die is inderdaad vetjes .. ben trouwens ook redelijk van de kraut rock tegenwoordig ..
Die eloy met horizons ...
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