arp echo

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Lid sinds
23 oktober 2003
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en onder water
arpsound met echo slecht gecomprimeerd.

hieronder een artykel over de arp van Holow sun

It is hard to believe today that there was once a time when there were just two synthesiser manufacturers: Moog and ARP (three, if you count UK manufacturer EMS) and each one had just a handful of products. Moog and ARP were constantly battling it out, each one trying to get the upper hand in this new and exciting market in the late '60s / early '70s.

Both companies started off with big modular synths and scaled down... Moog with their MiniMoog and ARP with their Odyssey. However, even though these two synths were considerably easier to use than their wall-to-wall predecessors, you have to remember that at the time, analogue synthesis was hi-tech rocket science that most people couldn't get their heads around.

To overcome this and to make synths more acceptable and portable (especially to the large organ market of the time), ARP brought out their 'Soloist' synth (right) in 1972. This was the first synth to offer preset sounds and these were selected using organ-like 'tabs' underneath the keyboard. Some rudimentary controls were also included that allowed you to customise a sound to your own requirements.

This concept was refined into the far more stylish 'Pro-Soloist' (top left).

The Pro-Soloist was a single oscillator, monophonic synth and so had limited creative possibilities compared with the Odyssey and the MiniMoog. However, it was a popular synth for live work (as you can imagine) and found favour with a wide range of keyboard players that included Herbie Hancock, Billy Preston, The Enid (who used the Pro-Soloist to great effect in their synthesised orchestrations), Vangelis and also Tony Banks of Genesis who first introduced the synth to the band on the album 'Selling England By The Pound'... in fact, you can begin to understand the appeal of the Pro-Soloist when you listen to the lengthy keyboard solo in 'The Cinema Show' where Banks flicks from preset to preset - such a performance would have been impossible on any other synth of the time, especially live. The Pro-Soloist remained a mainstay of the Genesis sound for many years despite Banks acquiring an ARP 2600 and a host of other synths.

ARP subsequently upgraded the Pro-Soloist concept with the Pro-DGX and the Pro-DGXII but these were simply variations on the the original theme (and many claim that they didn't sound as good due to revisions in the filter circuitry).

We have recently received a donation from an Italian Pro-Soloist owner who would prefer to remain anonymous. He has sampled a handful of presets from his own instrument that include bassoon, oboe, clarinet, flute, fuzz and others. Only single samples for each sound are provided but they sound pretty good nonetheless and transpose well even over an extended 5-octave C1-C6 range. We have looped them and otherwise tidied them up and each program uses MONO LEGATO mode in keeping with the monophonic nature of the original instrument.

We are hoping to pursuade our donor to part with more sounds. In the meantime, please enjoy this download
 

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hay

Origineel geplaatst door Synthesizer11
Leuk om te horen, maar eum ... wat is verder de bedoeling hiervan? [/QUOTE



Geen bedoeling maar leuk om te horen.

trouwens als ik op die link druk hoor ik ook iets leuks waarschijnlijk zonder bedoeling
 
Origineel geplaatst door Synthesizer11
Misschien is het dan ook leuk om erbij te zetten om welke ARP het precies gaat, want niet iedereen heeft deze thread gelezen. ;)
YES
 
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