moshine
Stamgast
Oke daar gaat ie,
Hierbij zet ik mijn MPC 60 te koop. Hij draait op OS2.10 en maximum geheugen. Dus 26 seconden 12bit sampling.
Er zitten custom shinny hardhouten side panels op. Zeer mooi apparaat.
Floppy drive werkt nog normaal. En je krijgt er 4 pakken DD floppy's bij.
Dus voor wie weer die 12bit crunchy boombap style in zijn vingers wil. Met de strakste timing ooit, en de lekkerste swing ever!!
750 euro dan is hij voor jou!!
Ik doe niet aan versturen, het is een massieve bak.
En dus op te halen in leeuwarden.
"Eventueel ook te ruilen tegen een MKII of MPC2000XL se3 met cardreader"
---------------------------------------------------------------
The MPC-60 is the music production studio that has single-handedly taken over the Rap and R&B music genres as the main instrument of HipHop production. Designed by Roger Linn (Linn Drum), the MPC-60 is a one-box-does-it-all sequencer-sampler workstation.
The built-in sequencer is very complete and professional. There are 99 tracks per sequence, 99 patterns, and 99 sequences that can be created, edited and stored in the MPC-60 with ease. Most artists create their patterns in real-time adding drum parts to a beat-loop spontaneously creating a groove that captures the vibe. These patterns are varied and chained into a sequence. Full MIDI, SMPTE and various other forms of external control prepare the MPC-60 for any studio situation.
The Sampler section is lo-fi but highly respectable. Its 12-bit sampling at 40KHz is pretty good. Sample editing, looping and transforming is simple to do. And finally, there's even a built-in drum machine for extra groove! Finally, the 18 voices of polyphony should be plenty of room for anyone who wants to create HipHop on the machine of professional artists worldwide including Apollo 440, BT, Jean-Michel Jarre, Jimmy Edgar, DJ Shadow, and A Guy Called Gerald.
In 1991 the MPC-60 mkII was unleashed. It wasn't much different, the casing and a head-phone jack were new and either machine is still very useful for today's aspiring musicians.
----------------------------------------------------------------------
Specs:
Synthesis Type:
Polyphony:
Max: 18
Typical in use:
Multi-timbral (number of parts): 16
Controllers : footswitch/etc...
Effects :
Number of FX units : none
Number of different effects : none
Keyboard :
Number of Keys : 16 pads
Can send on 4 simultaneous MIDI channels
Responds to : velocity, after-touch
Sounds can be split by : velocity,
Inputs and Outputs :
Number of Audio Outs (excluding Phones) : 10
Number of Audio Ins : 1
Number of MIDI Outs (excluding Thru) : 4
Number of MIDI Ins : 2
Hierbij zet ik mijn MPC 60 te koop. Hij draait op OS2.10 en maximum geheugen. Dus 26 seconden 12bit sampling.
Er zitten custom shinny hardhouten side panels op. Zeer mooi apparaat.
Floppy drive werkt nog normaal. En je krijgt er 4 pakken DD floppy's bij.
Dus voor wie weer die 12bit crunchy boombap style in zijn vingers wil. Met de strakste timing ooit, en de lekkerste swing ever!!
750 euro dan is hij voor jou!!
Ik doe niet aan versturen, het is een massieve bak.
En dus op te halen in leeuwarden.
"Eventueel ook te ruilen tegen een MKII of MPC2000XL se3 met cardreader"
---------------------------------------------------------------
The MPC-60 is the music production studio that has single-handedly taken over the Rap and R&B music genres as the main instrument of HipHop production. Designed by Roger Linn (Linn Drum), the MPC-60 is a one-box-does-it-all sequencer-sampler workstation.
The built-in sequencer is very complete and professional. There are 99 tracks per sequence, 99 patterns, and 99 sequences that can be created, edited and stored in the MPC-60 with ease. Most artists create their patterns in real-time adding drum parts to a beat-loop spontaneously creating a groove that captures the vibe. These patterns are varied and chained into a sequence. Full MIDI, SMPTE and various other forms of external control prepare the MPC-60 for any studio situation.
The Sampler section is lo-fi but highly respectable. Its 12-bit sampling at 40KHz is pretty good. Sample editing, looping and transforming is simple to do. And finally, there's even a built-in drum machine for extra groove! Finally, the 18 voices of polyphony should be plenty of room for anyone who wants to create HipHop on the machine of professional artists worldwide including Apollo 440, BT, Jean-Michel Jarre, Jimmy Edgar, DJ Shadow, and A Guy Called Gerald.
In 1991 the MPC-60 mkII was unleashed. It wasn't much different, the casing and a head-phone jack were new and either machine is still very useful for today's aspiring musicians.
----------------------------------------------------------------------
Specs:
Synthesis Type:
Polyphony:
Max: 18
Typical in use:
Multi-timbral (number of parts): 16
Controllers : footswitch/etc...
Effects :
Number of FX units : none
Number of different effects : none
Keyboard :
Number of Keys : 16 pads
Can send on 4 simultaneous MIDI channels
Responds to : velocity, after-touch
Sounds can be split by : velocity,
Inputs and Outputs :
Number of Audio Outs (excluding Phones) : 10
Number of Audio Ins : 1
Number of MIDI Outs (excluding Thru) : 4
Number of MIDI Ins : 2
