Antelope Audio Goliath Audio Interface 36 in/32 uit (Mac/PC)
Antelope Audio has packed more than 20 years of experience in digital audio, clocking and analog circuit development into an impressive, amazing-sounding and versatile, professional audio interface Goliath.
The blazing-fast ThunderboltTM, USB, and MADI I/O house a total of 36 analog ins and 32 analog outs, including 16-Channels of Class-A Mic Preamps with pristine and transparent AD/DA, all powered by Antelope’s renowned clocking technology. 64 channels via ThunderboltTM can be routed to a vast selection of Digital and Analog I/O options, including MADI, AES, ADAT, and S/PDIF for digital signals. There are 36 Analog Inputs and 32 Analog Outputs with stunning pristine AD/DA converters. These include 4 superb Instrument DI’s, 2 transformer Reamp Outs, 2 Headphone Outs with integrated Talkback on the front, and 16-Channels of Class-A Mic Preamps, 2 sets of Stereo Inserts and a pair of mastering grade Monitor Outs on the back. The DB25 connectors feature 24 Outputs and 16 additional Line Inputs, making Goliath an attractive solution for Hardware Inserts and Summing. Even more Analog I/O Channels can be added by connecting Antelope’s own Orion32 or Orion32+ using MADI, for a full 64 Channels of Analog I/O simultaneously. Dedicated knobs make real-time control exceedingly simple for adjusting Mic Pre Gain and Instrument Inputs, as well as an assignable large volume knob for stereo or Headphone Monitor Outs. There are also dedicated buttons for Talkback, Mono, and Mute, as well as a flexible Antelope Button. Goliath’s exceptional control options go from convenient to simply amazing with its innovative multifunctional color touch screen allowing for our most user-friendly front panel experience ever. Using your computer, you’ll be able to easily route any input to any output via a flexible color-coded routing matrix inside Antelope’s custom control panel software for Mac or PC and then save all your settings to five recallable presets. You can then go wireless using exceptional Apps for both iOS and Android devices. All of these options ensure that you are in complete control of Goliath’s vast connectivity at all times.
Goliath employs Antelope’s powerfully fast FPGA-based DSP engine, able to process four zero latency mixers with custom effects, like the stunning new AuraVerb reverb and several new modern and vintage hardware EQ and compressor models. Antelope’s new RealModel technology creates the most accurate modeling of classic analog gear. Stacks of FX can then be combined to build custom FX Chains and saved as Presets inside the AFX engine. Guitar Players will love this new FX approach when combined with Antelope’s new partnership with Overloud Audio Tools’ amp modeling, which also comes preloaded with Goliath. Goliath’s precise clocking is run by Antelope’s proprietary 4th generation of Acoustically Focused Clocking (AFC) jitter management algorithm and oven-controlled crystal oscillator, as featured in Antelope’s best crystal-based master clocks. For optimum detail and sound stage, Goliath can be additionally synced to the extremely accurate Rubidium Atomic Clock –
10MX. It can be used as a master clock for two other products via the two Word Clock Outs on BNC. Antelope’s record setting ThunderboltTM speed, combined with real-time FPGA mixers and FX mark an end to the need for offline DSP to enhance the power of a modern DAW on today’s computers. Antelope interfaces make use of real-time DSP for specific tasks, such as monitor mixing with reverb, tracking through accurately modeled EQ and Compression, as well as exceptional guitar amp models from the highly regarded Overloud Audio Tools. Antelope’s custom ThunderboltTM circuit enables users to route to external hardware gear in near real-time or route recorded guitars or other audio out of Antelope Reamp Outputs to external effects
pedals or other instrument processors. Monitoring the results is so fast, a guitar player could even play live through the chain without feeling any lag from the excessive latency of standard buffering, usually associated with external DSP solutions.
Features
●● 1x Custom USB 2.0 Type-B Connector
●● 1x Thunderbolt TM Gen1
●● 16x Universal Inputs (Mic In/Line In) on XLR (Inputs 1 to 4 are also HiZ compatible & first
two are connected to AD INSERTS)
●● 4x Instrument In on 1/4 stereo jack (dedicated for instrument / HiZ only)
●● 16x Line In on 2x DB25
●● 24x Line Out on 3x DB25
●● 2x Reamp Out on 1/4 stereo jack
●● 2x HP Out on 1/4 stereo jack
●● 2x AD Inserts on double TRS (connected to rear 1 & 2 universal inputs)
●● 8x AES/EBU I/O on 2x DB25 (following TASCAM standard)
●● 1x WC In on BNC
●● 1x Atomic In on BNC
●● 2x WC Out on double BNC
●● 1x S/PDIF I/O on 2x RCA
●● 2x ADAT In / Out on Fiber optic
●● 2x Optical MADI In and Out on Fiber optic (64 channels on each MADI)
●● 1x Monitor Line Out on 1/4 TRS stereo jacks (L/R CHs) for pair of stereo monitors
●● 1x TALKBACK Mic
●● 1x 3.5” high resolution TFT display (262 000 colors) with capacitive touch screen panel
Antelope Audio has packed more than 20 years of experience in digital audio, clocking and analog circuit development into an impressive, amazing-sounding and versatile, professional audio interface Goliath.
The blazing-fast ThunderboltTM, USB, and MADI I/O house a total of 36 analog ins and 32 analog outs, including 16-Channels of Class-A Mic Preamps with pristine and transparent AD/DA, all powered by Antelope’s renowned clocking technology. 64 channels via ThunderboltTM can be routed to a vast selection of Digital and Analog I/O options, including MADI, AES, ADAT, and S/PDIF for digital signals. There are 36 Analog Inputs and 32 Analog Outputs with stunning pristine AD/DA converters. These include 4 superb Instrument DI’s, 2 transformer Reamp Outs, 2 Headphone Outs with integrated Talkback on the front, and 16-Channels of Class-A Mic Preamps, 2 sets of Stereo Inserts and a pair of mastering grade Monitor Outs on the back. The DB25 connectors feature 24 Outputs and 16 additional Line Inputs, making Goliath an attractive solution for Hardware Inserts and Summing. Even more Analog I/O Channels can be added by connecting Antelope’s own Orion32 or Orion32+ using MADI, for a full 64 Channels of Analog I/O simultaneously. Dedicated knobs make real-time control exceedingly simple for adjusting Mic Pre Gain and Instrument Inputs, as well as an assignable large volume knob for stereo or Headphone Monitor Outs. There are also dedicated buttons for Talkback, Mono, and Mute, as well as a flexible Antelope Button. Goliath’s exceptional control options go from convenient to simply amazing with its innovative multifunctional color touch screen allowing for our most user-friendly front panel experience ever. Using your computer, you’ll be able to easily route any input to any output via a flexible color-coded routing matrix inside Antelope’s custom control panel software for Mac or PC and then save all your settings to five recallable presets. You can then go wireless using exceptional Apps for both iOS and Android devices. All of these options ensure that you are in complete control of Goliath’s vast connectivity at all times.
Goliath employs Antelope’s powerfully fast FPGA-based DSP engine, able to process four zero latency mixers with custom effects, like the stunning new AuraVerb reverb and several new modern and vintage hardware EQ and compressor models. Antelope’s new RealModel technology creates the most accurate modeling of classic analog gear. Stacks of FX can then be combined to build custom FX Chains and saved as Presets inside the AFX engine. Guitar Players will love this new FX approach when combined with Antelope’s new partnership with Overloud Audio Tools’ amp modeling, which also comes preloaded with Goliath. Goliath’s precise clocking is run by Antelope’s proprietary 4th generation of Acoustically Focused Clocking (AFC) jitter management algorithm and oven-controlled crystal oscillator, as featured in Antelope’s best crystal-based master clocks. For optimum detail and sound stage, Goliath can be additionally synced to the extremely accurate Rubidium Atomic Clock –
10MX. It can be used as a master clock for two other products via the two Word Clock Outs on BNC. Antelope’s record setting ThunderboltTM speed, combined with real-time FPGA mixers and FX mark an end to the need for offline DSP to enhance the power of a modern DAW on today’s computers. Antelope interfaces make use of real-time DSP for specific tasks, such as monitor mixing with reverb, tracking through accurately modeled EQ and Compression, as well as exceptional guitar amp models from the highly regarded Overloud Audio Tools. Antelope’s custom ThunderboltTM circuit enables users to route to external hardware gear in near real-time or route recorded guitars or other audio out of Antelope Reamp Outputs to external effects
pedals or other instrument processors. Monitoring the results is so fast, a guitar player could even play live through the chain without feeling any lag from the excessive latency of standard buffering, usually associated with external DSP solutions.
Features
●● 1x Custom USB 2.0 Type-B Connector
●● 1x Thunderbolt TM Gen1
●● 16x Universal Inputs (Mic In/Line In) on XLR (Inputs 1 to 4 are also HiZ compatible & first
two are connected to AD INSERTS)
●● 4x Instrument In on 1/4 stereo jack (dedicated for instrument / HiZ only)
●● 16x Line In on 2x DB25
●● 24x Line Out on 3x DB25
●● 2x Reamp Out on 1/4 stereo jack
●● 2x HP Out on 1/4 stereo jack
●● 2x AD Inserts on double TRS (connected to rear 1 & 2 universal inputs)
●● 8x AES/EBU I/O on 2x DB25 (following TASCAM standard)
●● 1x WC In on BNC
●● 1x Atomic In on BNC
●● 2x WC Out on double BNC
●● 1x S/PDIF I/O on 2x RCA
●● 2x ADAT In / Out on Fiber optic
●● 2x Optical MADI In and Out on Fiber optic (64 channels on each MADI)
●● 1x Monitor Line Out on 1/4 TRS stereo jacks (L/R CHs) for pair of stereo monitors
●● 1x TALKBACK Mic
●● 1x 3.5” high resolution TFT display (262 000 colors) with capacitive touch screen panel
