In nieuwstaat verkerende YAMAHA MU 100R including both PLG 100 VH (Harmonizer / Vocoder ) and PLG100 VL (Virtual Instrument ) and two analogue inputs (inserts).
Alles werkt 100%
Inclusief Manual and originele adapter.
Specificaties:
Tone Generation Method
AWM2 (Advanced Wave Memory 2), Virtual Acoustic Synthesis System (VL)
Maximum Simultaneous Polyphony
64-note + 1-note (VL)
Sound Module Modes
XG (Extended General MIDI), TG300B, C/M, and Performance
Multi-timbral Capacity
32-Part (on 32 MIDI channels; with element reserve priority for later notes and dynamic Voice allocation)
Internal Voice/Program Structure
Normal Programs
Total Voices ......................... 1267 + 256 (VL)
XG mode ............................. 1074 + 256 (VL)
TG300B mode .................... 614
C/M mode ........................... 128 (Parts 1 — 9), 64 (Parts 11 — 16)
Drum Programs
Total Programs .................... 46
XG mode ............................. 36
TG300B mode .................... 10
C/M mode ........................... 1
Performance Programs
Up to four Voices plus all effect settings can be memorized to a Performance.
Preset Programs .................. 100
User Programs .................... 100
Effects
Six sections of multi-effects: Reverb (12 Types), Chorus (14 Types),
Variation (70 Types), Insertion 1, 2 (43 Types), Harmony (4 Types), Effect and EQ (4 Types)
Sound on Sound:
"Inside, the MU100R is a 64‑note polyphonic, 32‑part multitimbral sound module, compatible with General MIDI and Yamaha's own expanded version of GM, XG‑MIDI.
The Performance patches employ up to four of the XG/GM presets and are consequently more complex and impressive.
The effects section is incredibly well specified. There's the equivalent of least two stereo effects units in the MU100R: you have 12 different reverb types at your disposal, as well as 15 chorus effects, and 70 different Variation effects, all assignable to a part from the home page — no digging through multiple edit windows here.
The most obvious souping‑up of the MU100R is the inclusion of a monophonic VL tone generator. This uses physical modelling synthesis, which of course is the flavour of the month, with the success of the Clavia Nord Lead and Korg's Prophecy, and the release of the new Korg Z1.
What I haven't recapped, as far as the MU100R's similarities to the MU90R are concerned, are the A/D inputs located on the front panel. The general idea is that you can plug any external audio source into the unit and enjoy all the benefits of the MU100R's effects, panning and so on.
This last example gave rise to the next new inclusion, namely harmonising effects. Not only can you route vocals through the MU100R, you can enjoy up to four‑part harmonies. You can pre‑program the harmonies, or play them from your master keyboard. The MU100R recognises 34 different chords in any given key, so there's decent scope for experimentation.
All this along with the two A‑D inputs and the new harmoniser effects section makes the MU100R an impressive studio tool. For those on a budget looking for the magical 'one‑box solution', the MU100R comes as close as anything on the market"
Alles werkt 100%
Inclusief Manual and originele adapter.
Specificaties:
Tone Generation Method
AWM2 (Advanced Wave Memory 2), Virtual Acoustic Synthesis System (VL)
Maximum Simultaneous Polyphony
64-note + 1-note (VL)
Sound Module Modes
XG (Extended General MIDI), TG300B, C/M, and Performance
Multi-timbral Capacity
32-Part (on 32 MIDI channels; with element reserve priority for later notes and dynamic Voice allocation)
Internal Voice/Program Structure
Normal Programs
Total Voices ......................... 1267 + 256 (VL)
XG mode ............................. 1074 + 256 (VL)
TG300B mode .................... 614
C/M mode ........................... 128 (Parts 1 — 9), 64 (Parts 11 — 16)
Drum Programs
Total Programs .................... 46
XG mode ............................. 36
TG300B mode .................... 10
C/M mode ........................... 1
Performance Programs
Up to four Voices plus all effect settings can be memorized to a Performance.
Preset Programs .................. 100
User Programs .................... 100
Effects
Six sections of multi-effects: Reverb (12 Types), Chorus (14 Types),
Variation (70 Types), Insertion 1, 2 (43 Types), Harmony (4 Types), Effect and EQ (4 Types)
Sound on Sound:
"Inside, the MU100R is a 64‑note polyphonic, 32‑part multitimbral sound module, compatible with General MIDI and Yamaha's own expanded version of GM, XG‑MIDI.
The Performance patches employ up to four of the XG/GM presets and are consequently more complex and impressive.
The effects section is incredibly well specified. There's the equivalent of least two stereo effects units in the MU100R: you have 12 different reverb types at your disposal, as well as 15 chorus effects, and 70 different Variation effects, all assignable to a part from the home page — no digging through multiple edit windows here.
The most obvious souping‑up of the MU100R is the inclusion of a monophonic VL tone generator. This uses physical modelling synthesis, which of course is the flavour of the month, with the success of the Clavia Nord Lead and Korg's Prophecy, and the release of the new Korg Z1.
What I haven't recapped, as far as the MU100R's similarities to the MU90R are concerned, are the A/D inputs located on the front panel. The general idea is that you can plug any external audio source into the unit and enjoy all the benefits of the MU100R's effects, panning and so on.
This last example gave rise to the next new inclusion, namely harmonising effects. Not only can you route vocals through the MU100R, you can enjoy up to four‑part harmonies. You can pre‑program the harmonies, or play them from your master keyboard. The MU100R recognises 34 different chords in any given key, so there's decent scope for experimentation.
All this along with the two A‑D inputs and the new harmoniser effects section makes the MU100R an impressive studio tool. For those on a budget looking for the magical 'one‑box solution', the MU100R comes as close as anything on the market"
