R-ond
Gepokt en gemazeld
- Lid sinds
- 11 januari 2003
- Berichten
- 14.508
sooo erg mooi bakkie
sequencer touch plate ,...en een stuk of 20 modules,...niet byster veel
en reserve not met ik denk dat t tegen d e10.000$ ligt
voornamelijk zeldzaamheid
[dan zouik gaan voor die nieuwere buchlas,..]
maar deze is wel erg mooi/netjes
SYNTH WAS PURCHASED ABOUT 5 YEARS AGO, IT WAS PURCHASED USED. IT HAS BEEN MAINTAINED IN MY STUDIO ALL THE TIME, IT HAS SEEN LITTLE USE UNDER MY OWNERSHIP AND I THINK IT’S TIME SOMEBODY ELSE HAVE FUN WITH THIS ONE AND I NEED THE MONEY AS WELL. SYNTH COMES WITH A BUCHLA MANUAL, LOTS OF PATCH CORDS. SYNTH WORKS FINE BUT IT MIGHT NEED CALIBRATING BY NOW.
MACHINE WAS KEPT IN A DUST AND SMOKE FREE ENVIROMENT.
Buchla synthesizers are the classic creations of Don Buchla, a circuit designer who produced synthesizers when they truly were analog beasts. Buchla started making his first synthesizers on America's west coast for the purpose of simplifying the tedious process of creating "Musique Concrete". Musique Concrete can be thought of as the predecessor to Electronic Music. It was a form of music in which recordings of various sounds on tape were cut, spliced, distorted, and manipulated in various ways before being spliced back together into something that should sound like music...almost like super old-school sampling & sequencing! This concept was the driving force behind almost every Buchla synthesizer made - an electronic device that can create some basic sound, manipulate it, tune it freely, and sequence it into organized sound, hopefully something musical! With that in mind, Buchla synthesizers were among the first to use indivudally tuneable keys for limitless micro-tuning possibilities, analog sequencers, and complex waveforms other than basic sine, sawtooth, and square waves.
The first major synthesizer by Buchla was the modular 100-series (one of which is pictured above) produced from about 1963 to the early 1970's. The system usually consisted of a large wood case with room for a bunch of modules (up to 25 modules on a single power-supply). Although the modules consisted of your basic collection of voltage controlled oscillators, filters, etc. the unique keyboards on this and other models to follow were flat capacitance-sensitive touch-plates. Although they may feel awkward to play, they are pressure sensitive and individually tuneable. There were also 8- and 16-step analog sequencer modules available. Patching and programming a Buchla 100 was a monstrous task since lots of patch cords as well as synthesizer knowledge were a requirement to even get a sound to be heard, and the oscillators usually drift out of tune! These are extremely rare systems but they can make some awesome and unique analog music, if it still works! About the only places where Buchla 100's can be found nowadays are at the The Audities Collection and a few scattered Schools and Universities across the US.
schaam rood 
