Enkel afhaal Amsterdam
Korg 03R\W met ram card 150eu
Klassieke Korg-module, op mn MySpace staan de tracks Monkeyworld en Bond voor wat voorbeelden qua strings hier uit. Clean en vol dus, fijne FX. Doe em weg wegens overcompleet
Roland S-330 125eu, weg omdat ik met mn MPC2000XL genoeg sampling heb.
The S-50 was Roland's first professional keyboard sampler, and the S-330 is a compact, 1-unit rack-module with all the features of the S-50 and more at an affordable price! Still, by today's standards it would be considered limited and lo-fi. However for its time it was a powerful instrument which can still prove useful for many music applications today. It's easy to use, but pretty much requires an external CRT monitor for large graphic editing.
Editing is a breeze and is quite sophisticated especially when using the external CRT monitor and mouse options (the DT100 digitizing tablet from the S-50 is not compatible here). You get waveform smoothing, auto-looping, tuning, multi-stage envelopes and can quickly adjust loops and samples. New to the S-series were the Time-Variant filters as used by the LAS-type Roland synths. All this means is that the TVFs and TVAs are more digital, more in-depth and more precise. There is also the S553 sequencing software which offers basic drum machine type sequencing via an external CRT monitor like the S-50 and S-550 also offer.
Sample memory here is the same as the S-50, 750k-byte which yields up to 28.8 seconds at 15kHz. Sampler specs are still 30kHz variable sampling rates at a 12-bit resolution. Roland has a vast and nice S-50 compatible sample library of sounds ready to be loaded via the built in 3.5 inch disk drive. Samples of your own can also be saved to disk. The S-330 has room for 32 samples or "tones" and 16 patches in 2 banks. There's also a RC-100 remote programmer with an Alpha Juno type alpha-dial for easier programming access. Double the sample memory to 1.5MB and you get the 2-space rack-mount S-550.
Heb em zelf gebruikt op Trespassers en NY op Delsin, voor referentie
Yamaha TX81Z 125eu, overcompleet wegens aanschaf FS1r en TG77
Yet another FM synthesizer from Yamaha, this one comes in a compact, multitimbral, 1-unit rackmount module and is basically a key-less version of the DX-11. It has far more professional features than its relative, the FB-01. The TX81Z features great FM type synth sounds similar also to the DX-21 and DX-27. It's still not as good as the classic DX-7, but it's an inexpensive source of those sounds with lots of programmability. Eight voice polyphony, 128 preset sounds, 32 user and lots of functions hidden behind 11 push buttons.
The TX81Z features a new ability to use waveforms other than just a sine wave. There are eight voices that can be split, layered and detuned. Also onboard are pseudo-effects including delay and reverb. These features can be stored as performance setups. The effects are simply envelope and re-triggering effects. The TX81Z works great as a sound-module for any live or studio production. It's got a wider range of sounds than the DX-7, may not be quite as warm or 'classic' sounding, but at its low price and with the excellent MIDI implementation it makes a great alternative or backup synth for percussive, punchy FM synth sounds. It's used by Fluke, Roni Size, Astral Projection, Squarepusher, Jimmy Edgar, Future Sound of London, and 154 on his album Strike.
AKAI S-612 met QD en Zadok upgrade 100eu
The S-612 was one of Akai's first professional rack-mount samplers, released back in 1985. Some of its features included 12-bit sampling from 4 to 32kHz with loop and truncate functions, an overdub function and mic or line input jacks. Internal memory is only 128KB which gives a maximum of 8 seconds sampling time at the lowest sampling rate available. An optional disk drive that features the quick disk (QD) 2.8 inch format is needed for permanent storage of samples. Only one sample is stored to each side of the disk.
You won't be able to do much with the S-612 these days. However it bears some classic traits that may still be of interest. It features classic high and low pass filtering and an LFO for modulating and giving your sample an animated edge. It's also fairly simple and straight forward to operate, responds to external triggering and is still very well suited to any MIDI studio applications. It's definitely a limited sampler, but it makes a cheap back-up instrument that may come in handy for lo-fi sounds or triggered effects. It was Future Sound of London's first sampler.
Dit exemplaar heeft dus de Zadok-upgrade wat em net wat zeldzamer maakt. Hierdoor is hij 6-stemmig multitimbraal en dus perfect voor al uw 12-bits drumkits. Via een Voice-kabel(zit er niet bij helaas) heeft hij ook individual outs en is ie ook nog aan te sluiten op bv een AX80 als sampling-expansion. Op Eevolute hier een plaatje mee gemaakt, check Ross154-Fragments als referentie. Vooral Remembrance laat goed horen hoe afgrijselijk rauw je beats hieruit kunnen klinken. Hij is trouwens inc Quickdisk-diskdrive, in één klap hangt je rack vol
Enkel afhaal Amsterdam dus, ruilvoorstellen zijn ook welkom
Korg 03R\W met ram card 150eu
Klassieke Korg-module, op mn MySpace staan de tracks Monkeyworld en Bond voor wat voorbeelden qua strings hier uit. Clean en vol dus, fijne FX. Doe em weg wegens overcompleet
Roland S-330 125eu, weg omdat ik met mn MPC2000XL genoeg sampling heb.
The S-50 was Roland's first professional keyboard sampler, and the S-330 is a compact, 1-unit rack-module with all the features of the S-50 and more at an affordable price! Still, by today's standards it would be considered limited and lo-fi. However for its time it was a powerful instrument which can still prove useful for many music applications today. It's easy to use, but pretty much requires an external CRT monitor for large graphic editing.
Editing is a breeze and is quite sophisticated especially when using the external CRT monitor and mouse options (the DT100 digitizing tablet from the S-50 is not compatible here). You get waveform smoothing, auto-looping, tuning, multi-stage envelopes and can quickly adjust loops and samples. New to the S-series were the Time-Variant filters as used by the LAS-type Roland synths. All this means is that the TVFs and TVAs are more digital, more in-depth and more precise. There is also the S553 sequencing software which offers basic drum machine type sequencing via an external CRT monitor like the S-50 and S-550 also offer.
Sample memory here is the same as the S-50, 750k-byte which yields up to 28.8 seconds at 15kHz. Sampler specs are still 30kHz variable sampling rates at a 12-bit resolution. Roland has a vast and nice S-50 compatible sample library of sounds ready to be loaded via the built in 3.5 inch disk drive. Samples of your own can also be saved to disk. The S-330 has room for 32 samples or "tones" and 16 patches in 2 banks. There's also a RC-100 remote programmer with an Alpha Juno type alpha-dial for easier programming access. Double the sample memory to 1.5MB and you get the 2-space rack-mount S-550.
Heb em zelf gebruikt op Trespassers en NY op Delsin, voor referentie
Yamaha TX81Z 125eu, overcompleet wegens aanschaf FS1r en TG77
Yet another FM synthesizer from Yamaha, this one comes in a compact, multitimbral, 1-unit rackmount module and is basically a key-less version of the DX-11. It has far more professional features than its relative, the FB-01. The TX81Z features great FM type synth sounds similar also to the DX-21 and DX-27. It's still not as good as the classic DX-7, but it's an inexpensive source of those sounds with lots of programmability. Eight voice polyphony, 128 preset sounds, 32 user and lots of functions hidden behind 11 push buttons.
The TX81Z features a new ability to use waveforms other than just a sine wave. There are eight voices that can be split, layered and detuned. Also onboard are pseudo-effects including delay and reverb. These features can be stored as performance setups. The effects are simply envelope and re-triggering effects. The TX81Z works great as a sound-module for any live or studio production. It's got a wider range of sounds than the DX-7, may not be quite as warm or 'classic' sounding, but at its low price and with the excellent MIDI implementation it makes a great alternative or backup synth for percussive, punchy FM synth sounds. It's used by Fluke, Roni Size, Astral Projection, Squarepusher, Jimmy Edgar, Future Sound of London, and 154 on his album Strike.
AKAI S-612 met QD en Zadok upgrade 100eu
The S-612 was one of Akai's first professional rack-mount samplers, released back in 1985. Some of its features included 12-bit sampling from 4 to 32kHz with loop and truncate functions, an overdub function and mic or line input jacks. Internal memory is only 128KB which gives a maximum of 8 seconds sampling time at the lowest sampling rate available. An optional disk drive that features the quick disk (QD) 2.8 inch format is needed for permanent storage of samples. Only one sample is stored to each side of the disk.
You won't be able to do much with the S-612 these days. However it bears some classic traits that may still be of interest. It features classic high and low pass filtering and an LFO for modulating and giving your sample an animated edge. It's also fairly simple and straight forward to operate, responds to external triggering and is still very well suited to any MIDI studio applications. It's definitely a limited sampler, but it makes a cheap back-up instrument that may come in handy for lo-fi sounds or triggered effects. It was Future Sound of London's first sampler.
Dit exemplaar heeft dus de Zadok-upgrade wat em net wat zeldzamer maakt. Hierdoor is hij 6-stemmig multitimbraal en dus perfect voor al uw 12-bits drumkits. Via een Voice-kabel(zit er niet bij helaas) heeft hij ook individual outs en is ie ook nog aan te sluiten op bv een AX80 als sampling-expansion. Op Eevolute hier een plaatje mee gemaakt, check Ross154-Fragments als referentie. Vooral Remembrance laat goed horen hoe afgrijselijk rauw je beats hieruit kunnen klinken. Hij is trouwens inc Quickdisk-diskdrive, in één klap hangt je rack vol
Enkel afhaal Amsterdam dus, ruilvoorstellen zijn ook welkom
