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- 12 oktober 2016
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Voor wie interesse heeft in Goth en aanverwante muziek, kort geleden kwam dit boek uit: 'The Art of Darkness: The History of Goth'.
Inhoud:
Introduction
The Doors are Open…
Pages: 1–2
Chapter 1: Floorshow
A Night out
Pages: 3–12
Chapter 2: The Fall of Rome
Pages: 13–15
Chapter 3: Deep in the Forest
Europe’s Gothic History
Pages: 16–19
Chapter 4: ‘Mad, Bad and Dangerous to Know’
The Romantics and the Gothic Imagination
Pages: 20–40
Chapter 5: Euro Visions
Pages: 41–45
Chapter 6: The Devil has the Best Tunes
Pages: 46–52
Chapter 7: Paint it, Black
The Dark Heart of the Psychedelic Sixties
Pages: 53–65
Chapter 8: All the Children are Insane, or People are Strange
The (un)holy Trinity. The Doors/Velvets/Stooges
Pages: 66–76
Chapter 9: Wham Bam thank you Glam
The Dark Side of Glam Rock
Pages: 77–116
Chapter 10: Proto Post-Punk
Pages: 117–123
Chapter 11: The Punk Wars
Pages: 124–130
Chapter 12: ‘What was Once Unhealthily Fresh is Now a Clean Old Hat’
Post-Punk to a very Public Image
Pages: 131–136
Chapter 13: Spellbound
Siouxsie and the Banshees
Pages: 137–158
Chapter 14: Feel the Pain
The Damned
Pages: 159–174
Chapter 15: Ridicule is Nothing to be Scared of
Adam Ant
Pages: 175–193
Chapter 16: New Dawn Fades
Manchester & Joy Division
Pages: 194–212
Chapter 17: ‘The Wreckers of Western Civilisation…’
Industrial Music
Pages: 213–233
Chapter 18: ‘I Must Fight this Sickness… Find a Cure’
The Cure
Pages: 234–249
Chapter 19: The Naughty North and the Sexy South
Pages: 250–264
Chapter 20: All We Ever Wanted Was Everything
Bauhaus
Pages: 265–280
Chapter 21: Lord of Chaos
A Dark and Beautiful Playground - Killing Joke
Pages: 281–296
Chapter 22: Release the Bats!
Nick Cave
Pages: 297–312
Chapter 23: ‘I am not Avant-Garde; I am a Deserter’
Blixa Bargeld, Einstürzende Neubauten and the Reinvention of Berlin
Pages: 313–328
Chapter 24: Voodoo Idols
The Ballad of Lux and Ivy
Pages: 329–344
Chapter 25: First, Last and Always
How Post-Punk Leeds Created Goth and The Sisters Of Mercy
Pages: 345–371
Chapter 26: Vagabonds - Bradford
New Model Army and Joolz
Pages: 372–380
Chapter 27: Flowers in the Forest
Southern Death Cult
Pages: 381–397
Chapter 28: Wanted Dead or Alive
How Liverpool Opened the Doors to a New (North) West Coast Sound
Pages: 398–408
Chapter 29: Do You Believe in the Westworld?
Theatre of Hate
Pages: 409–418
Chapter 30: A New Form of Beauty - Virgin Prunes, Dublin
How Lypton Village Changed a Nation
Pages: 419–427
Chapter 31: ‘Good Poetry Can Still Resonate Louder Than a Thousand Guns’
Rammstein for GrownUps - Laibach
Pages: 428–439
Chapter 32: At The Gates of Silent Memory
Fields of the Nephilim
Pages: 440–446
Chapter 33: Darklands
How The Dark Energy Infected Indie
Pages: 447–466
Chapter 34: ‘We Sing to the Gods to Be Free’
American Gothic and the Dark Art of the American Dream
Pages: 467–482
Chapter 35: Trans Europe Express
Pages: 483–489
Chapter 36: In the Flat Field, Suburbs & Satellite Towns
The Second Coming of Goth
Pages: 490–498
Chapter 37: Apocalypse Now! Goth’s End Days
Pages: 499–512
Interview met de auteur hier:
Hier en daar lijkt het boek al verkrijgbaar, bij sommige verkopers vanaf 1 mei a.s.
This is the first comprehensive history of goth music and culture. Across more than 500 pages, John Robb explores the origins and legacy of this enduring scene, which has its roots in the post-punk era.
Drawing on his own experience as a musician and journalist, Robb covers the style, the music and the clubs that spawned the culture, alongside political and social conditions. He also reaches back further to key historic events and movements that frame the ideas of goth, from the fall of Rome to Lord Byron and the romantic poets, European folk tales, Gothic art and the occult. Finally, he considers the current mainstream goth of Instagram influencers, film, literature and music.
The Art of Darkness features interviews with Siouxsie and the Banshees, The Cure, The Damned, Nick Cave, Southern Death Cult, Einstürzende Neubauten, Bauhaus, Killing Joke, Throbbing Gristle, Danielle Dax, Lydia Lunch and many more. It offers a first-hand account of being there at the gigs and clubs that made the scene happen.
Inhoud:
Introduction
The Doors are Open…
Pages: 1–2
Chapter 1: Floorshow
A Night out
Pages: 3–12
Chapter 2: The Fall of Rome
Pages: 13–15
Chapter 3: Deep in the Forest
Europe’s Gothic History
Pages: 16–19
Chapter 4: ‘Mad, Bad and Dangerous to Know’
The Romantics and the Gothic Imagination
Pages: 20–40
Chapter 5: Euro Visions
Pages: 41–45
Chapter 6: The Devil has the Best Tunes
Pages: 46–52
Chapter 7: Paint it, Black
The Dark Heart of the Psychedelic Sixties
Pages: 53–65
Chapter 8: All the Children are Insane, or People are Strange
The (un)holy Trinity. The Doors/Velvets/Stooges
Pages: 66–76
Chapter 9: Wham Bam thank you Glam
The Dark Side of Glam Rock
Pages: 77–116
Chapter 10: Proto Post-Punk
Pages: 117–123
Chapter 11: The Punk Wars
Pages: 124–130
Chapter 12: ‘What was Once Unhealthily Fresh is Now a Clean Old Hat’
Post-Punk to a very Public Image
Pages: 131–136
Chapter 13: Spellbound
Siouxsie and the Banshees
Pages: 137–158
Chapter 14: Feel the Pain
The Damned
Pages: 159–174
Chapter 15: Ridicule is Nothing to be Scared of
Adam Ant
Pages: 175–193
Chapter 16: New Dawn Fades
Manchester & Joy Division
Pages: 194–212
Chapter 17: ‘The Wreckers of Western Civilisation…’
Industrial Music
Pages: 213–233
Chapter 18: ‘I Must Fight this Sickness… Find a Cure’
The Cure
Pages: 234–249
Chapter 19: The Naughty North and the Sexy South
Pages: 250–264
Chapter 20: All We Ever Wanted Was Everything
Bauhaus
Pages: 265–280
Chapter 21: Lord of Chaos
A Dark and Beautiful Playground - Killing Joke
Pages: 281–296
Chapter 22: Release the Bats!
Nick Cave
Pages: 297–312
Chapter 23: ‘I am not Avant-Garde; I am a Deserter’
Blixa Bargeld, Einstürzende Neubauten and the Reinvention of Berlin
Pages: 313–328
Chapter 24: Voodoo Idols
The Ballad of Lux and Ivy
Pages: 329–344
Chapter 25: First, Last and Always
How Post-Punk Leeds Created Goth and The Sisters Of Mercy
Pages: 345–371
Chapter 26: Vagabonds - Bradford
New Model Army and Joolz
Pages: 372–380
Chapter 27: Flowers in the Forest
Southern Death Cult
Pages: 381–397
Chapter 28: Wanted Dead or Alive
How Liverpool Opened the Doors to a New (North) West Coast Sound
Pages: 398–408
Chapter 29: Do You Believe in the Westworld?
Theatre of Hate
Pages: 409–418
Chapter 30: A New Form of Beauty - Virgin Prunes, Dublin
How Lypton Village Changed a Nation
Pages: 419–427
Chapter 31: ‘Good Poetry Can Still Resonate Louder Than a Thousand Guns’
Rammstein for GrownUps - Laibach
Pages: 428–439
Chapter 32: At The Gates of Silent Memory
Fields of the Nephilim
Pages: 440–446
Chapter 33: Darklands
How The Dark Energy Infected Indie
Pages: 447–466
Chapter 34: ‘We Sing to the Gods to Be Free’
American Gothic and the Dark Art of the American Dream
Pages: 467–482
Chapter 35: Trans Europe Express
Pages: 483–489
Chapter 36: In the Flat Field, Suburbs & Satellite Towns
The Second Coming of Goth
Pages: 490–498
Chapter 37: Apocalypse Now! Goth’s End Days
Pages: 499–512
Interview met de auteur hier:
John Robb talks 'The Art Of Darkness' » We Are Cult
❉ John Robb talks about his Goth odyssey from Byron to Bowie, the Banshees, Bauhaus and beyond.
wearecult.rocks
Hier en daar lijkt het boek al verkrijgbaar, bij sommige verkopers vanaf 1 mei a.s.