Yamaha VL7: Virtual Acoustic + Gratis Akai S1000 Sampler, Prijs 600 Euro..
Meer info zie link
Yamaha VL-7
Keyboard: 49 Key C-C keyboard, Velocity Sensitive, Channel Aftertouch
Performance Controls: Pitchbend Wheel, Modulation Wheel (x2), Octave Shift up/down momentary buttons
Controller Ports: Breath Control, Foot Pedal (x2), Foot Switches (x2)
Display: 240x64 dot LCD (B&W type), fluorescent back-light
Memory: Internal RAM (64 voices)
Disk Drive: 3.5" 2DD or 2HD floppy
Synthesis: S/VA (Self-oscillating Virtual Acoustic Synthesis)
Polyphony: Monophonic
Modifiers: Harmonic Enhancer, Dynamic Filter, Equalizer, Impulse Expander, Resonator
Effects: Modulation: Flanger, Pitch Change, Distortion, Feedback/Delay, Reverberation
DSP: 32-bit
DACs: 20-bit (x2)
Other Ports: MIDI In/Out/Thru, Power (mains)
Accessories: BC2 Breath Controller, FC7 Foot Controller, Power Cable, Floppy Disk
Dimensions (mm): 914 x 380 x 105
Weight: 11kg
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Akai S1000 Sampler
An oldie but a goodie. Akai's great sampler of the late eighties! It actually still stacks up pretty well even today! A 16-bit, 22kHz to 44.1kHz sampler with 8 MB of RAM. Editing and programming the S-1000 is a very good precursor to the advanced S-3000 series. There are lots of advanced edit capabilities for looping, truncating, sample merging, time comp/exp, tuning and even analog-like parameters to control its filters and envelopes. Individual outputs for each of the 16 voices, stereo mix out, stereo input, MIDI, and trigger inputs round out this machine as a professional vintage-status sampler that still proves to be very useful even today! It is used by Moby, The Chemical Brothers, SkyLab, Scanner, Fluke, Nick Rhodes, Fatboy Slim, LTJ Bukem, Mr. Oizo, Crystal Method, Pet Shop Boys, Gary Numan, Future Sound of London, Jean-Michel Jarre, Mouse on Mars, and Apollo 440.
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http://www.soundonsound.com/sos/1995_articles/mar95/yamahavl7.html
Meer info zie link
Yamaha VL-7
Keyboard: 49 Key C-C keyboard, Velocity Sensitive, Channel Aftertouch
Performance Controls: Pitchbend Wheel, Modulation Wheel (x2), Octave Shift up/down momentary buttons
Controller Ports: Breath Control, Foot Pedal (x2), Foot Switches (x2)
Display: 240x64 dot LCD (B&W type), fluorescent back-light
Memory: Internal RAM (64 voices)
Disk Drive: 3.5" 2DD or 2HD floppy
Synthesis: S/VA (Self-oscillating Virtual Acoustic Synthesis)
Polyphony: Monophonic
Modifiers: Harmonic Enhancer, Dynamic Filter, Equalizer, Impulse Expander, Resonator
Effects: Modulation: Flanger, Pitch Change, Distortion, Feedback/Delay, Reverberation
DSP: 32-bit
DACs: 20-bit (x2)
Other Ports: MIDI In/Out/Thru, Power (mains)
Accessories: BC2 Breath Controller, FC7 Foot Controller, Power Cable, Floppy Disk
Dimensions (mm): 914 x 380 x 105
Weight: 11kg
---------------------------------------------------- -------------
Akai S1000 Sampler
An oldie but a goodie. Akai's great sampler of the late eighties! It actually still stacks up pretty well even today! A 16-bit, 22kHz to 44.1kHz sampler with 8 MB of RAM. Editing and programming the S-1000 is a very good precursor to the advanced S-3000 series. There are lots of advanced edit capabilities for looping, truncating, sample merging, time comp/exp, tuning and even analog-like parameters to control its filters and envelopes. Individual outputs for each of the 16 voices, stereo mix out, stereo input, MIDI, and trigger inputs round out this machine as a professional vintage-status sampler that still proves to be very useful even today! It is used by Moby, The Chemical Brothers, SkyLab, Scanner, Fluke, Nick Rhodes, Fatboy Slim, LTJ Bukem, Mr. Oizo, Crystal Method, Pet Shop Boys, Gary Numan, Future Sound of London, Jean-Michel Jarre, Mouse on Mars, and Apollo 440.
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http://www.soundonsound.com/sos/1995_articles/mar95/yamahavl7.html
