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Focusrite Voicemaster Pro

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Maks

Gromit the Evil Operator
Lid sinds
2 juni 2004
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Locatie
Antown
395 of mooi bod.

VoiceMaster Pro is a comprehensive mono channel strip, optimised for vocal use but able to process any instrument with outstanding results. The Class A preamp is capable of capturing every nuance from any source, whilst latency-free monitoring ensures direct and delay-free mix control. Additionally, tools such as the Voice-optimised EQ, Vintage Harmonics and Tube Sound allow you to get creative with a touch of class, putting your own stamp on every recording. All of this, combined with the 24-bit, 96kHz A/D option, mean that VoiceMaster Pro is the perfect interface between your microphone and DAW or other recording media.

VoiceMaster Pro boasts the same award-winning preamp as its predecessor, the industry standard VoiceMaster. This pre-amp demonstrates the same wide bandwidth philosophy featured in the original vintage Focusrite units, ensuring low noise and distortion. Mic and Instrument inputs are both located on the front panel, allowing quick and easy connection without the need for a separate DI box. Sections labelled Vintage Harmonics and Tube Sound can be used to further enhance the sonic character, offering tape-based vocal enhancement techniques and cutting edge valve emulation. With such controls at your fingertips, the range of sounds obtainable from the VoiceMaster Pro is extremely wide, from pristine clarity with subtle colouration to warm with luscious overtones.
Focusrite’s British EQ has become a by-word for excellence, and the VoiceMaster Pro EQ is no exception, featuring controls specifi ed to give immediate results with live or prerecorded vocals. Add to this an Optical Compressor and De-esser and you truly have all you need to produce a vocal that sits perfectly in the mix.
SpecificationsBack top
Mic Input Response
• Gain range = 0 dB to 60 dB continuously variable
• Input Impedance = 1K4 ? from 10 Hz to 200 kHz
• EIN = 128 dB measured at 60 dB of gain with 150 ? terminating impedance and 20 Hz/22 kHz bandpass filter
• THD at minimum gain (0 dB) = 0.0004% measured with +16 dBu input signal and with a 20 Hz/22 kHz bandpass filter
• THD at maximum gain (60 dB) = 0.003% measured with a –36 dBu input signal and with a 20 Hz/22 kHz bandpass filter
• THD at maximum input level (26.5 dBu) = 0.005% measured with a 20 Hz/22 kHz bandpass filter
• Frequency response at minimum gain (0 dB) = flat at 10 Hz and –2 dB down at 200 kHz
• Frequency response at maximum gain (60 dB) = –2 dB down at 10 Hz and 200 kHz
• CMRR at full gain (60 dB) = 80 dB

Line Input response
• Gain range = -10 dB to +10 dB continuously variable
• Input Impedance = 10K ? from 10 Hz to 200 kHz
• Noise at main output with gain and fader set to unity (0 dB) = -94 dBu measured with a 20 Hz/22 kHz bandpass filter
• Signal to noise ratio relative to max headroom (27 dBu) = 121 dB
• Signal to noise ratio relative to 0 dBfs (+22 dBu) = 116 dB
• THD at unity gain (0 dB) = 0.0006% measured with 0 dBfs (+22 dBu) input signal and with a 20 Hz/22 kHz bandpass filter
• Frequency response at unity gain (0 dB) = 0.25 dB down at 10 Hz and –3 dB down at 200 kHz

Instrument Input Response
• Gain range = 0 dB to 40dB continuously variable
• Input Impedance = > 1 Meg ?
• Noise at minimum gain (0 dB) = -90 dBu measured with a 20 Hz/22 kHz bandpass filter
• Noise at maximum gain (40 dB) = -78 dBu measured with a 20 Hz/22 kHz bandpass filter
• THD at minimum gain (0 dB) = 0.006% measured with –10 dBu input signal and with a 20 Hz/22 kHz bandpass filter
• Frequency response at unity gain (0 dB) = 0.5 dB down at 10 Hz and –1 dB down at 200 kHz
• Frequency response at maximum gain (40 dB) = 6 dB down at 10Hz and –1dB down at 200KHz

Weight
• 5kg
• 11Ibs

Dimensions
• 484mm (W) x 85mm (H) x 180mm (D)
• 19" (W) x 3.5" (H) x 9.3" (D)
 
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