akai mpc2000xl eb12 & akai s950 LFO modulatie

boombipbass

boombipbass

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Beste synthmanne en vrouwe,

Weten jullie of er bij de EB12 en de Akai s950 mogelijk is om
LFO modulaties te doen over een sample of een aantal samples?

Bv. dat ik een oud disco/funk beatje sample en die chop en daarover een LFO
filter doe voor een Wahwah effect.

Zoals in dit liedje bij 0:26
-http://www.youtube.com/watch?v=eiTy71nSkKw

Thanks for teh info!
 
Vanaf 66 staat dit ;)

USING THE LFO S-950
The low frequency oscillator found on Page 14 is a most useful device. Its prime use is to add vibrato and other pitch sweep effects to a sample in e keygroup but it can have other uses as well. For example, say you have a sample but the loop is not that good and, despite your attempts to improve it, you still can't get rid of a slight glitch or tremolo effect, you can use the LFO to disguise the effects of this loop by adding some vibrato to that sample. You will probably want to set the LFO so that it is having effect constantly so you will want to set the LFO Depth to around 3 or 4 for a hint of continuous vibrato. The actual LFO rate can be set according to the circumstances and you are advised to experiment. You may find that the action of the LFO masks the slight glitching very effectively. To further disguise en awkward loop, you can layer the sample on top of itself as described above (providing the restricted polyphony is not a problem, of course) and add this slight vibrato effect. The LFO can also be used when layering sounds to create interesting chorus effects. If you have tried out any of the layering ideas given above, you will have noticed how using the fine tune on Page 06 for a detune effect thickens the sound. This can be further enhanced by setting the LFO depth of just the one keygroup in the layer to a value of around 3 or 4 and leaving the other keygroup in the layer free of any LFO modulation. What you now have is two keygroups layered on top of each other with some slight detune and the one keygroup's pitch is varying ever so slightly to give an 'animated' chorus effect. To further extend this idea, you could give the other keygroup a different vibrato with a slightly slower or faster LFO rate. In this example, you would have the keygroups' pitch shifting against each other creating a rich, warm ensemble sound. This can be even further enhanced by switching DESYNC to ON so that all the LFO's are out of phase with each other.
Using Page 14, you can extend these chorusing effects to be under the control of the MOD WHEEL. By setting just one of the keygroups in a layer to respond to the modulation wheel, you could introduce a chorus effect with the modulation wheel. Of course, aftertouch could also be used for the same effect.
 
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